Thursday, May 17, 2007

The Enchanted Typewriter by John Kendrick Bangs

The Enchanted Typewriter by John Kendrick Bangs @ Ekendra's blog
 
1. THE DISCOVERY
 
It is a strange fact, for which I do not expect ever satisfactorily to account, and which will receive little credence even among those who know that I am not given to romancing--it is a strange fact, I say, that the substance of the following pages has evolved itself during a period of six months, more or less, between the hours of midnight and four o'clock in the morning, proceeding directly from a type-writing machine standing in the corner of my library, manipulated by unseen hands. The machine is not of recent make. It is, in fact a relic of the early seventies, which I discovered one morning when, suffering from a slight attack of the grip, I had remained at home and devoted my time to pottering about in the attic, unearthing old books, bringing to the light long-forgotten correspondences, my boyhood collections of "stuff," and other memory-inducing things. Whence the machine came originally I do not recall. My impression is that it belonged to a stenographer once in the employ of my father, who used frequently to come to our house to take down dictations. However this may be, the machine had lain hidden by dust and the flotsam and jetsam of the house for twenty years, when, as I have said, I came upon it unexpectedly. Old man as I am--I shall soon be thirty--the fascination of a machine has lost none of its potency. I am as pleased to-day watching the wheels of my watch "go round" as ever I was, and to "monkey" with a type-writing apparatus has always brought great joy into my heart-- though for composing give me the pen. Perhaps I should apologize for the use here of the verb monkey, which savors of what a friend of mine calls the "English slanguage," to differentiate it from what he also calls the "Andrew Language." But I shall not do so, because, to whatever branch of our tongue the word may belong, it is exactly descriptive, and descriptive as no other word can be, of what a boy does with things that click and "go," and is therefore not at all out of place in a tale which I trust will be regarded as a polite one.
 
The discovery of the machine put an end to my attic potterings. I cared little for finding old bill-files and collections of Atlantic cable-ends when, with a whole morning, a type-writing machine, and a screw-driver before me I could penetrate the mysteries of that useful mechanism. I shall not endeavor to describe the delightful sensations of that hour of screwing and unscrewing; they surpass the powers of my pen. Suffice it to say that I took the whole apparatus apart, cleaned it well, oiled every joint, and then put it together again. I do not suppose a seven-year-old boy could have derived more satisfaction from taking a piano to pieces. It was exhilarating, and I resolved that as a reward for the pleasure it had given me the machine should have a brand-new ribbon and as much ink as it could consume. And that, in brief, is how it came to be that this machine of antiquated pattern was added to the library bric-a-brac. To say the truth, it was of no more practical use than Barye's dancing bear, a plaster cast of which adorns my mantel-shelf, so that when I classify it with the bric-a-brac I do so advisedly. I frequently tried to write a jest or two upon it, but the results were extraordinarily like Sir Arthur Sullivan's experience with the organ into whose depths the lost chord sank, never to return. I dashed off the jests well enough, but somewhere between the keys and the types they were lost, and the results, when I came to scan the paper, were depressing. And once I tried a sonnet on the keys. Exactly how to classify the jumble that came out of it I do not know, but it was curious enough to have appealed strongly to D'Israeli or any other collector of the literary oddity. More singular than the sonnet, though, was the fact that when I tried to write my name upon this strange machine, instead of finding it in all its glorious length written upon the paper, I did find "William Shakespeare" printed there in its stead. Of course you will say that in putting the machine together I mixed up the keys and the letters. I have no doubt that I did, but when I tell you that there have been times when, looking at myself in the glass, I have fancied that I saw in my mirrored face the lineaments of the great bard; that the contour of my head is precisely the same as was his; that when visiting Stratford for the first time every foot of it was pregnant with clearly defined recollections to me, you will perhaps more easily picture to yourself my sensations at the moment.
 
However, enough of describing the machine in its relation to myself. I have said sufficient, I think, to convince you that whatever its make, its age, and its limitations, it was an extraordinary affair; and, once convinced of that, you may the more readily believe me when I tell you that it has gone into business apparently for itself --and incidentally for me.
 
It was on the morning of the 26th of March last that I discovered the curious condition of affairs concerning which I have essayed to write. My family do not agree with me as to the date. They say that it was on the evening of the 25th of March that the episode had its beginning; but they are not aware, for I have not told them, that it was not evening, but morning, when I reached home after the dinner at the Aldus Club. It was at a quarter of three A.M. precisely that I entered my house and proceeded to remove my hat and coat, in which operation I was interrupted, and in a startling manner, by a click from the dark recesses of the library. A man does not like to hear a click which he cannot comprehend, even before he has dined. After he has dined, however, and feels a satisfaction with life which cannot come to him before dinner, to hear a mysterious click, and from a dark corner, at an hour when the world is at rest, is not pleasing. To say that my heart jumped into my mouth is mild. I believe it jumped out of my mouth and rebounded against the wall opposite back though my system into my boots. All the sins of my past life, and they are many--I once stepped upon a caterpillar, and I have coveted my neighbor both his man-servant and his maid-servant, though not his wife nor his ass, because I don't like his wife and he keeps no live-stock--all my sins, I say, rose up before me, for I expected every moment that a bullet would penetrate my brain, or my heart if perchance the burglar whom I suspected of levelling a clicking revolver at me aimed at my feet.
 
"Who is there?" I cried, making a vocal display of bravery I did not feel, hiding behind our hair sofa.
 
The only answer was another click.
 
"This is serious," I whispered softly to myself. "There are two of 'em; I am in the light, unarmed. They are concealed by the darkness and have revolvers. There is only one way out of this, and that is by strategy. I'll pretend I think I've made a mistake." So I addressed myself aloud.
 
"What an idiot you are," I said, so that my words could be heard by the burglars. "If this is the effect of Aldus Club dinners you'd better give them up. That click wasn't a click at all, but the ticking of our new eight-day clock."
 
I paused, and from the corner there came a dozen more clicks in quick succession, like the cocking of as many revolvers.
 
"Great Heavens!" I murmured, under my breath. "It must be Ali Baba with his forty thieves."
 
As I spoke, the mystery cleared itself, for following close upon a thirteenth click came the gentle ringing of a bell, and I knew then that the type-writing machine was in action; but this was by no means a reassuring discovery. Who or what could it be that was engaged upon the type-writer at that unholy hour, 3 A.M.? If a mortal being, why was my coming no interruption? If a supernatural being, what infernal complication might not the immediate future have in store for me?
 
My first impulse was to flee the house, to go out into the night and pace the fields--possibly to rush out to the golf links and play a few holes in the dark in order to cool my brow, which was rapidly becoming fevered. Fortunately, however, I am not a man of impulse. I never yield to a mere nerve suggestion, and so, instead of going out into the storm and certainly contracting pneumonia, I walked boldly into the library to investigate the causes of the very extraordinary incident. You may rest well assured, however, that I took care to go armed, fortifying myself with a stout stick, with a long, ugly steel blade concealed within it--a cowardly weapon, by-the-way, which I permit to rest in my house merely because it forms a part of a collection of weapons acquired through the failure of a comic paper to which I had contributed several articles. The editor, when the crash came, sent me the collection as part payment of what was owed me, which I think was very good of him, because a great many people said that it was my stuff that killed the paper. But to return to the story. Fortifying myself with the sword-cane, I walked boldly into the library, and, touching the electric button, soon had every gas-jet in the room giving forth a brilliant flame; but these, brilliant as they were, disclosed nothing in the chair before the machine.
 
The latter, apparently oblivious of my presence, went clicking merrily and as rapidly along as though some expert young woman were in charge. Imagine the situation if you can. A type-writing machine of ancient make, its letters clear, but out of accord with the keys, confronted by an empty chair, three hours after midnight, rattling off page after page of something which might or might not be readable, I could not at the moment determine. For two or three minutes I gazed in open-mouthed wonder. I was not frightened, but I did experience a sensation which comes from contact with the uncanny. As I gradually grasped the situation and became used, somewhat, to what was going on, I ventured a remark.
 
"This beats the deuce!" I observed.
 
The machine stopped for an instant. The sheet of paper upon which the impressions of letters were being made flew out from under the cylinder, a pure white sheet was as quickly substituted, and the keys clicked off the line:
 
"What does?"

Note: This article The Enchanted Typewriter is by John Kendrick Bangs, me Ekendra Lamsal solely express my gratitudes to the author and think this publication does not violate any copyright infringements.

Sunday, April 29, 2007

Waiting for happiness

Waiting for happiness

We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'ii be more content when they are. 

After that, we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of the stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, or when we retire. 

The truth is, there's no better time to be happy than right now. If not now, when? 

Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. Happiness is the way. So, treasure every moment that you have and treasure it more because you shared it with someone special, special enough to spend your time with… ad remember that time waits for no one. 

So, stop waiting

ü  until your car or home is paid off

ü  until you get a new car or home

ü  until your kids leave the house

ü  until you go back to school

ü  until you lose 10 pounds

ü  until you gain ten pounds

ü  until you finish school

ü  until you get a divorce

ü  until you get married

ü  until you have kids

ü  until you retire

ü  until summer

ü  until spring

ü  until winter

ü  until fall

ü  until you die

There is no better time than right now to be happy.

Remember: Happiness is a journey, not a destination.

Friday, April 20, 2007

Quotes you Quote 'em

One of the most adventurous things left us is to go to bed. For no one can lay a hand on our dreams.
 
Do not look back. Do not dream about the future either. Your duty, your reward, your destiny are here and right now.
 
There is nothing so easy to learn as experience and nothing so hard to apply.
 
Everything has been said before, but since nobody listens we have to keep going back and beginning all over again.
 
Doing what's right is not the problem. It is knowing what is right.
 
A man who fears suffering is already suffering from what he fears.
 
You must be the change you wish to see in the world.
 
All who have accomplished great things have had a great aim, have fixed their gaze on a goal which was high, one which sometimes seemed impossible.
 
Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.
 
Power Principle : If you aren't making mistakes, you aren't making progress!
 
What it takes to discourage you, is in direct correlation to the amount of belief you have in yourself.
 
Love, by reason of its passion, destroys the inbetween which relates us to and separates us from the other.
 
 

Saturday, January 27, 2007

Mero Web: Growing Up

There is nothing so easy to learn as experience and nothing so hard to apply.
 
Fools may our scorn, not envy raise, For envy is a kind of praise.
 
Doing what's right is not the problem. It is knowing what is right.
 
A man who fears suffering is already suffering from what he fears.
 
You must be the change you wish to see in the world.
 
Everything has been said before, but since nobody listens we have to keep going back and beginning all over again.
 
That infernal creature who is the curse of all the human race becomes every day more and more abominable.

Tuesday, January 16, 2007

Raining Winters

Raining Winters

People say me that I've got a next turn in life but does it really matter when I, myself, assert of no importance. Anyway, my many many thanks to friends and my dear friends for all that they wished me. Winters come and go leaving me alone. I once wrote for moron's world and am the same for now. But I assert that I was, am and will remain the wolf in the cloud and with azured expressions.

I've a quick look back for my life to see nothing so especial to recall them a memento. I am being played with. Someday, somewhere I need to prove that I am true. But how… feeling someone you love so much is not just a proof that proves that you're. Meanings in life vary and varied in my way I've traced back the René Descartes.

I'm sure there is nobody-yes-perfectly nobody I can count on (not you can count on- only me- ??? the bitter side of life) I'm going to be a man of my own words as was but I felt that I killed a man inside me. I deliberately ended something valuable that meant great in me for no reasons and no reasons. Waiting, life's just waiting, yes no wondering I'm waiting for YOU Mr Fate, oops! Ms Fate!!!!

 

October 13, 2006

NB: Raining Winters was written @ 2035 hours Oct 13, 2006 exactly, my anniversary <b'day>.

Tuesday, January 09, 2007

Obsession, Passion and Love

One, who understands these three nightmares of life must be a frantic (optimized revision sought) but what does absolute human life want from, is the major question to be answered from the trio- Obsession, Passion and Love. In fact, morons-world is a moron's paradise.

 

These tro-trivial are very difficult to deal with. Obsession carries you to passion and the later to love. This is a very simple mind maze. But let me analyze in my own way with love at first. Is love need of age or life? How's it differing from rest two and from ever-talked or needed sex? No matter what rules our world, love is a must to live life. (Sometime later I shall write why I want to live alone.)

 

To success, to pride and to destiny, love is needed for existence….

Saturday, January 06, 2007

What is meditation?

What is meditation?

Meditation techniques aren't new. They've been around for thousands of years. Originally the goal of meditation was to help people deepen their understanding and awareness of the sacred and mystical forces of life. But you don't have to be religious to benefit from meditation. Anyone can meditate, regardless of religious or cultural background.

Meditation is one of several types of mind-body techniques. Other therapies use creative outlets such as art, music or dance.

Meditation isn't a medical treatment in the usual sense. But your doctor may recommend you try it because meditation has proven benefits. Meditating each day can help you relax and decrease muscle tension. It can reduce your risk of heart disease by reducing your body's response to the chemicals it produces when you're stressed, such as adrenaline. Adrenaline can raise your blood pressure and make your blood more likely to clot. With continued practice you may reach a point where meditation also reduces your blood pressure.

Meditation continues to be a spiritual and religious practice. In fact, you'll find variations of meditative practice in all of the world's religions. Here's a look at some of the more popular forms of meditation.

Concentration meditation: Calming your mind

Concentration meditation involves focusing your attention on a single object. Objects of meditation can include your breathing, an image you visualize in your mind or a real image you look at, such as a candle flame or sacred icon. One purpose of concentration meditation is to help you focus your attention and concentrate. If you have a lot on your mind and find you're having trouble concentrating in your everyday life, take a break to meditate and return to your project refreshed. Here are some examples.

  • Breathe deeply. If you're a beginner, consider starting with this technique. Breathing is a natural function that you won't have to consciously learn. You simply pay attention to your breathing — how it feels when air enters or leaves your nostrils. Don't follow it down to your lungs. When you feel your attention wander, gently return your focus to your breathing.
  • Scan your body. When using this technique, you'll focus your attention on sensations, such as pain, tension, warmth or relaxation in different parts of your body. Combine body scanning with breathing exercises and imagine breathing heat or relaxation into and out of different parts of your body.
  • Repeat a sacred name or phrase. A mantra is the name of a sacred deity or a sacred phrase that you repeat silently or aloud. You can create your own mantra, if you'd like. Mantras are the building blocks of transcendental meditation. Examples of religious mantras include the Jesus prayer in the Christian tradition, the holy name of God in Judaism, or the om mantra of Tibetan Buddhism.
  • Exercise your imagination. A related practice is guided imagery, in which someone's voice, whether taped or live, directs you through a visualization exercise. Once you reach a state of deep relaxation, most likely through meditation, you create a visual image of whatever the person directing the exercise suggests. Perhaps it's a peaceful place, such as a garden, where you feel calm and safe.

Meditaiton in motion: A conscious blend of body and mind

Meditation that includes movement can be spontaneous and free-form or involve highly structured, choreographed, repetitive patterns. This type of meditation may be particularly helpful if you find it hard to sit still. The following are examples:

  • Yoga. A 5,000-year-old practice, yoga incorporates breathing, movement and posture to achieve a union of mind, body and spirit. It involves completing a series of postures, during which you pay special attention to your breathing — exhaling during certain movements and inhaling with others. You can approach yoga as a way to promote physical flexibility, strength and endurance or as a way to enhance your spirituality. In either case, you may find that yoga helps you to relax and manage stress.
  • Tai chi. This form of meditation is an ancient Chinese exercise practiced at a slow, even speed. Tai chi involves gentle, deliberate circular movements combined with deep breathing. As you concentrate on the motions of your body, you develop a feeling of peace and tranquility.
  • Qi gong. This technique also arises from ancient China. Similar to yoga and tai chi, it integrates physical postures, breathing techniques and focused attention. Adherents of traditional Chinese medicine recommend daily practice to maintain overall health and prevent illness.
  • Walking meditation. Combining a walk with meditation is an efficient and healthy way to relax. You can use this technique anywhere — in a tranquil forest, on a city sidewalk or even inside a building where you work. When you use this method, slow down the pace of walking so that you can focus on each movement of your legs or feet. Don't focus on a particular destination. Concentrate on your legs and feet, repeating action words such as lifting, moving and placing as you lift each foot, move your leg forward and place your foot on the ground. You can substitute other words if you like. Some people prefer to signal the beginning and end of a walking meditation with a ritual, such as the ringing of a bell, a ceremonial bow, silent prayer or spoken words of thankfulness.
  • Sufi walking or dancing. A form of moving meditation that developed in medieval Islam, you'll walk or dance in a rhythmic fashion while chanting. From the Islamic perspective, the intent of the chant is to focus your mind on a specific quality of God, or Allah. If you're Muslim and want to focus on strength and courage, you could walk or dance with forceful steps, arms swinging, and chant "Allah akbar," meaning "God is great." You can merge this meditation technique with any faith tradition and focus on any sacred object or deity. If you don't consider yourself spiritual or religious, you could focus on an aspect of a phenomenon, such as birth or nature, and chant words or phrases symbolic of the phenomenon.

Soothing your spirit: Reflection on meaning and purpose in your life

Do you find that you feel more hopeful after attending a worship service? Do you enjoy taking time to read a daily meditation? Many people find that taking the time to sing, pray, read and reflect on the meaning and purpose of life with like-minded people helps them face life's challenges. Consider these examples:

  • Engage in prayer. The best known and most widely practiced example of meditation is prayer. Spoken and written prayers are found in most faith traditions. You can pray using your own words or read prayers written by others. Check the self-help or 12-step-recovery section of your local bookstore for examples. Talk with your rabbi, priest, pastor or other spiritual leader about resources. You may also consider joining a prayer group.
  • Read or listen and take time to reflect. Many people report that they benefit from reading poems or sacred texts silently or aloud, and taking a few moments to quietly reflect on the meaning that the words bring to mind. You can listen to sacred music, spoken words or any music you find relaxing or inspiring. You may want to write your reflections in a journal or discuss them with a friend or spiritual leader.
  • Focus your love and gratitude. In this type of meditation you focus your attention on a sacred object or being, weaving feelings of love and gratitude into your thoughts. You can also close your eyes and use your imagination or gaze at representations of the object. The adoration of the Holy Eucharist is an example found in Roman Catholicism.

Meditation can calm your mind, relax your body and soothe your spirit. It's inexpensive and risks are minimal. What have you got to lose? Consider these suggestions as you get started:

  • Select a meditation technique that fits your lifestyle and belief system. Many people build meditation into their daily routine. For example, you can start your day with a prayer or take a 15-minute walking meditation break in the afternoon. At the end of your workday, you may find inner peace by attending a yoga or tai chi class at your community center.
  • Set aside some time. Start with 5-minute meditation sessions once or twice a day and work up to 20 minutes each time. Unless you have an excellent innate sense of time, keep a clock nearby and glance at it occasionally, or set an alarm that's not jarring when it goes off.
  • Keep trying. Be kind to yourself as you get started. If you're meditating to calm your mind and your attention wanders, slowly return to the object, sensation or movement you're focusing on. You can use an image to bring yourself back to your focus if you'd like. Try this: Picture balloons floating away with your thoughts, or imagine your thoughts as pigeons and mentally clap your hands to get them to fly away.
  • Make meditation part of your life. Many people prefer to start and end their day with a period of meditation. Others prefer to take meditation breaks during the day. Experiment and you'll likely find out what works best for you.

 

Humane: An appraisal for Humanity

Humane: An appraisal for Humanity

 

 When the world is finished in egoism, everyone, still, may not be in cameo-role. There might yet be a paradise, a perfect cloud nine hidden with self-esteem and a prayer for the completeness of so-called human. Every moment thunders, no one cares, souls dirtied, humdrum lauds never again gained but the vista of a heyday target cut her eyelids to "the sight".

 

Mr Hypocrites burgeoning [Do You believe in You?], is there any space for a person inside a man but only You. I wonder how I could survive in this world. What on the earth am I here for? If I couldn't change those facial wring, blurbs, the church-mice, the honorable and the pat. Why not be Sui generis? Should we all be just those careless pedestrians merely bipedal? Hope the lit candle continues till the existence of itself. This is because You never know the next minute of Your bilobed phrenal cortex will let You its fortune; let alone those ulterior queer-fish of every person.

 

Burnt yet not inflamed but sublimed is the counterpoint, You should respect. Inhuman fired to ash, long live sensual human soul. Phoenixes get up! Dracos dare cloudier! Never expected how if You are a myzenith fellow in spite of a marvelous maneuvre. Let's kick, back but not relax 'n say invisible it's so . . . .

 

Long live humane, celestials the appraisal, down with ecstasy and fantasy. Just be an AMARSH.

>>> 

 

>> About <<

 

No posting is a fallacy. It's alleged that a mottled blogging to forage human existence, capabilities, deeds, phenomenal minds and upshots is my intention.

 

Please, do not misconstrue on things. I am not going to change Your mind as me for obvious raison d'être. Pessimism is like this, nothing as like god exist, nobody's true... not culpable nag, gear up.

Tuesday, January 02, 2007

Undefined Relation: A Heart-Hole Reality

Undefined Relation: A Heart-Hole Reality

I am compelled to give it a name but predefined assumptions came true. A hole that persists in your belief, I think, is the most crucial love factor to hate the complimentary alien. When you can rule apathy as long as you are ruled by it, you can see the orientation of your so-called spirit lying down the earth to take its flying over off. Oops! Reality, it sounds so strange that mannerly odor of sensations kills your 'born-not-to-expose' possessions. You commence only those heartstring vibrations imposing around your imagination.

It's really difficult to put out the stuff which you were trying, trying to be one of yours. Relations are said to exhibit nightmare. But what if they themselves are undefined? Created-to-kill or made-to-fade-away waves of unbound relations are those uncontrollable superscripts that hang around till you meet something dark called the death. But I am occupied, I know I must die, let me die with my feelings, my obsessions and also with something which impulse such relation. This is the real world, a Pandora's Box, a scenario roaming around a huge sea and a monster a head. This is a heart-hole reality my friend. This is not a word or two. This is invisibility, yes, and perfect invisibility of rendered to operate heart.

That's right! The existence of non-relation! But still exists. Lingered and penetrated brain nerves around oasis of mere true predefined factualities. The reason is obvious we are bound to face but let us live happily so that we are encapsulated by perch of hormonal response on this earthy relation. Ask for nothing but goods are on their way to you if you are good. Let me keep safe of my belief that YOU exists for me!

No music is a bad music. Let us not unbound or try to define such heart-hole realities time and again. Simply, they come and stay alive with us always to keep us intact. See YOU soon!!!

 

November 22, 2006

NB: My very first expression after being loved!

Wednesday, December 20, 2006

Tongue Kissing - paved with good intentions

Source: http://www.killingthebuddha.com

Tongue Kissing

 

Getting close to God by loving the leavings of those who loved Him.

by Peter Manseau  
 

Every story about devotion is a story about waiting. When the devotion in question involves relics -- those bits and pieces of saints the faithful have worshipped as long as saints have been dying -- it usually is a story about waiting a very long time.

Before I saw my first relic, I stood at the end of a line of pilgrims wrapped around the altar of an Umbrian basilica, down the aisle between the wall and the pews, under the tableaux of a half-relief stations of the cross carved in wood. Each of the stations' fourteen squares depicted a scene from the crucifixion as large and menacing as a horror movie poster, but no one paid them much attention. Everyone was too busy waiting. The single-file crowd checked their watches, folded pages in their guidebooks, laughed and grumbled and planned in a dozen languages.

In front of me, a young mother with dyed black hair and a matching biker jacket watched her toddling son clap his palms on the polished floor and then warned him in German – "behuren Sie sich nicht!"Don't touch that! – each time he wandered into questionable territory. The boy had blond hair and spitty wet fingers and was eyeing a dried piece of gum stuck to one of the basilica's marble columns. Both column and gum seemed to have been there for an eternity, and when the boy pinched the gray wad his mother hissed – Horst! Nicht! – as if its removal would bring the whole place tumbling down.

The line shuffled forward and little Horst fell in behind his parents, tucking his face into the back of his father's knees. Latching on with one hand to a fold of green denim, reinserting the other in his mouth for safekeeping, he let his feet drag on the ground to show how bored he was with all of this. He seemed to be about two, probably at the tail end of his oral fixation phase, and I wondered if his parents had tried to explain why it was they had brought him to this dark church in the middle of a lovely summer day. Had he been able to understand what he was waiting for, he might have been more excited.

At the end of this queue, which stretched from the entrance a hundred yards behind us to some point beyond where we could see, there was said to be a very special tongue. A human tongue from a human head. A tongue that was believed to have the power to give speech the to dumb and eloquence to the tongue-tied. A tongue so potent, legend and guidebooks proclaim, that it was found whole, pink, and healthy after the body it had spoken for had gone to dust.

It was not just any tongue, of course, but La lingua del Santo – the "Tongue of the Saint." In the ancient city of Padua, two hundred miles or so north of Rome, "the Saint" refers always and only to Saint Anthony, whose basilica this was. Saint Anthony is the patron saint of lost objects needing to be found. All of us, a thousand tourists on any given day, were there to see what was left of him.

Behind me in line, a middle-aged Italian opened his eyes wide whenever I glanced in his direction. Each time our gazes crossed, the two sides of his bushy brow arced and separated like a drawbridge being raised. With his puffy lips and sagging jowl, he looked to me -- uncharitably, I admit -- like a man trawling for anonymous sex. When finally he spoke I was not entirely relieved of this suspicion.

"For the tongue you come, eh?"

"Excuse me?"

He looked at me with a wounded expression, as if hurt by my lack of understanding. 

"Sorry, my English, it is—" He didn't finish the thought. Instead he clarified, "Saint Anthony, yes? You are here to see him? You like the Saint?"

"Oh. Yes," I said, "though I don't know much about him."

"Ah!" The Italian grinned like a lottery winner, his confidence restored by the fact that, as far as he was concerned, it was not his English that was the problem; I was merely ignorant. "I know!" he cheered. "I know! All the stories of Il Santo, I know."

From somewhere behind him, a pilgrim made a pssst noise and others clucked in agreement, raising and pointing their chins in a gesture meant to urge us on. I turned to see that the line had moved forward again. There was now ten feet of empty floor between the German family and me. I put my hand in the air as apology to the waiting throng and half-jogged to close the gap.  

In the moment it took for him to rejoin me, the Italian had transformed himself from a possible sex-fiend into a combination tour guide and Borscht Belt comedian. "All the stories I know," he repeated. "Have you heard the one of the saint and the fishes?"

Before I could say I hadn't, he was off, launching into an excited monologue that brought beads of sweat to his drawbridge brow.

"They say, once, Saint Anthony, he was at the seaside. And the unbelievers tell him, Anthony you are no good and your God also, no good! And he say, If you don't hear me I will give my back to you and tell my sermon to the fish. Because the fish they will have better understanding. And Anthony, he says out loud: Fish! You are good because God make you good. You eat all you want, never work. You have the ocean to live in and never worry. Good! Good!

"When the fish they hear this they all swim in close and jump out of the water to listen. Anthony says to the unbelievers, See?

"You understand, yes? It is because of the tongue!" He pointed ahead, toward a place in the basilica where the queue turned a corner and disappeared out of sight. "This tongue!" 

We all ambled forward a few feet more. The Italian touched my arm and I took long steps to try to shake him. I kept my eye on the opposite wall, as if something had suddenly caught my attention. It was only by chance that I looked down and saw Horst stretched out on the floor. His mother glanced back then and hoisted him up by his belt, apologizing with her eyes.

"They say," the Italian continued, "when Anthony hear confessions one day a man come and tell him, Santo, I have kicked my mother! And Anthony say, Any foot that would kick the mother who made it should be cut off! Saint Anthony tell him more but these words the man cannot forget. When he leave the church, you know what he do? He run home, cut his foot!"

"On the road?"

"Comé?"

"Did he cut his foot on the road?" I asked slowly. "On the way home?"

"No!" The Italian made a sawing motion, rubbing the edge of his right hand across his left wrist. "Cut! FFFTTT! Off!

"When Anthony hear what happened, he feel awful, because he know, people believe his words. Whatever he say, they do. The power of the tongue, eh? So he go to the man, put his foot back on." He pressed his hands together like he praying and then worked his palms back and forth as if grinding something between them. "Like that. And the man, he can walk. He learn his lesson. Never kick his mother again."

The pilgrims lurched forward, around a bend now, and I followed the Germans into a narrow passage behind the altar. Five yards ahead, the line changed from relative order to a small-scale mob. Some stopped and turned to the left to take a long look while others forced their way through the traffic of bodies, impatient to move on now that the waiting was done. I couldn't yet see what was causing the commotion, but it was impossible to miss the lightning storm of camera flashes blinking off the walls, despite the repeated warnings we'd all received against photographic desecration.

At least they wanted only pictures. Back in the heyday of the veneration of relics, religious authorities had to keep constant guard over the sacred remains they displayed. A story is told of an English bishop who, while on pilgrimage in France, toured a monastery that had a shrine containing the full skeleton of Mary Magdalene. Impressing the monks with his piety, the bishop stooped to put his lips on the holy lady's hand. No one noticed that by the end of his kiss, he had bitten off a piece of her finger. He held it in his mouth for the rest of the tour, then returned to England to build a shrine of his own.    

So it's no surprise the basilica guards seemed content to let the tongue photos slide. Not that they could have done much about it. The number and speed of the flashes in the passageway suggested that the crowd of Australians, Koreans, and Americans (and at least six other nationalities I could count) were intent on spending their time in Padua as paparazzi of the dead.

In the middle of the hubbub a family of pilgrims dipped to their knees in front of the entrance to a small chapel, which I could now see was to blame for the gridlock.

"La Capella delle Reliquie," the Italian whispered. From others in line I heard it spoken of in French and Spanish as LaChapelle des Reliques, and LaCapila de la Reliquies, The Chapel of the Relics, but a sign in English identified it somewhat more bluntly as The Treasury. It contained not only St Anthony's tongue but his jawbone and a small piece of cartilage believed to be his larynx.

The kneeling family had been mostly silent through the forty minutes I'd been in line, so I couldn't guess their nationality, but their manner and dress suggested they were some variety of Europeans. When they rose, they crossed themselves with the absentminded ease of Crusaders' distant kin. Wherever they were from in what remains of Christendom, this was their own indigenous weirdness, unchanged for a thousand years.      

The Germans fought their way through the throng, and the Italian and I followed close behind, moving easily through the wake created by the stroller the father pushed before him. When the mother reached the reliquary, her mouth dropped slack. She called out to her son, "Horst! Sehen Sie? Eine Zunge!"

But Horst didn't seem to hear her. He turned and ran into the crowd, disappearing among the tourists' legs as their cameras flashed like a strobe. When his mother raced to catch him, it was finally my turn to approach the tongue.

Reaching the pedestal on which it stood, I was surprised to see that the reliquary looked like nothing so much as a model lighthouse: a thin tall stanchion supporting a glass cylinder, though in this case the cylinder contained not a lantern but a cone-shaped scrap of human flesh. As the story goes, at the time of its discovery in the saint's tomb eight hundred years before, the tongue had been so moist and plump it looked ready to deliver a sermon all on its own, lack of teeth or brain or lips be damned.  Now though the ornamentation of the gold around it seemed more appropriate for the Hope Diamond than for the chewed piece of licorice the tongue had come to resemble. The pedestal was spotted with fingerprints, and more than a few pilgrims went so far as to stand on their toes to plant kisses directly on the marble around the reliquary's base. Centuries of such contact had added a greasy bit of color to the gray stone, a soft pink mix of lipstick, finger oil, and spit, evidence that as many people as there were smudges had stood on this spot and tried to make contact with Il Santo, and through him, with God.

I put my fingers to my mouth and then as close to the relic as I could reach. The stone was cold to the touch but slightly slick, like a sweating beer bottle on a summer day. As I drew my hand back, I felt hot breath on my neck and then heard the voice of my self-appointed tour guide, anxious to leave me with one last story. 

"They say," he whispered, "when Saint Anthony preach outside, it never rain. Even the clouds, they stop to listen. Because of la lingua," he stressed. "The tongue! Pray to it to find words when you need them."

I thanked him for all he'd told me and then hurried toward the exit. On the way out, I saw little lost Horst out of the corner of my eye.  He had wandered alone into the corner of the chapel and now stood puzzling over what all the fuss was about. One hand down his pants, the other up his nose, he looked on the mass of adults crowding the holy tongue like he was the only one with his priorities straight.

Peter Manseau is editor of Killing the Buddha. He is the author most recently of Vows: The Story of a Priest, a Nun, and their Son.